Tuesday, April 16, 2024

Nine Days' Wonder - Nine Day's Wonder / Only The Dancers (1971/74 germany, excellent psych prog glam krautrock, 2003 remaster)



Walter Seyffer founded the group Nine Days' Wonder as early as 1966. Four years later the line-up was: Walter Seyffer (lead vocals, drums, percussion), John Earle (sax, flute, guitar, vocals, from Ireland), Rolf Henning (guitar, piano), Karl Mutschlechner (bass, from Austria!) and Martin Roscoe (drums, from the UK). They recorded their first album NINE DAYS• WONDER in the Dierks Studio, January 1971 with the Hauke & Dierks team. 

This was a fine example of more bizarre German progressive rock, clearly inspired by King Crimson, Frank Zappa, Soft Machine, Traffic, Family and Deep Purple. They presented long, complex suites of heavy progressive riffing, jazz fusion, large amounts of free improvisation, neck-breaking shifts of tempo and general insanity on tracks like, "Morning Spirit" and "Stomach's Choise" A fine achievement, if a little difficult to get into. 

The original German issue of the album came in a green foam-rubber cover designed by Walter Seyffer. lt surely qualifies for the top ten list of the craziest sleeve designs ever made! John Earle's talented sax and flute work was particularly notable. When the original Nine Days' Wonder disbanded in 1972, he went to England and joined Gnidrolog (you can hear him on the classic album Lody Lake). Martin Roscoe drummed for a while in 2066 & Then. Seyffer joined Michael Bundt's band Medusa. In December 1972 this band suddenly turned out to be the new Nine Days' Wonder: Seyffer (vocals, percussion), Bundt (bass), Hans Frauenschuh (guitar), Freddie Münster (sax, keyboards) and Karl-Heinz Weiler (drums). 

In July 1973 they recorded WE NEVER LOST CONTROL, which, understandably, was totally different to the 1971 album: a ,straighter' progressive rock album comparable to other Hauke productions like Epsilon, Nektar or Message. In 1974, Nine Days' Wonder went through further changes, ended up as a quartet at last, consisting of Seyffer, Bundt, Rolf Henning (guitar, bass) and Sidhatta Gautama (drums). They recorded ONLY THE DANCERS in September 1974 in England with the guests Dave Jackson (sax, flute, from Van den Graaf Generator) and Steve Robinson (keyboards, ex-2066 & Then). This was much more a straight rock song oriented album, with tuneful and sophisticated compositions.
krautrock-musikzirkus
Tracks
1. Fermillion (Walter Seyffer, John Earle, Rolf Henning, Karl Mutschlechner, Martin Roscoe) - 15:48
2. Moss Had Come (Walter Seyffer, John Earle, Rolf Henning, Karl Mutschlechner, Martin Roscoe) - 3:27
3. Apple Tree (Walter Seyffer, John Earle, Rolf Henning, Karl Mutschlechner, Martin Roscoe) - 6:45
4. Drag Dilemma (Walter Seyffer, John Earle, Rolf Henning, Karl Mutschlechner, Martin Roscoe) - 12:47
5. Long Distance Line (Walter Seyffer) - 5:21
6. Only The Dancers (Walter Seyffer) - 3:01
7. It's Not My Fault (Rolf Henning, Walter Seyffer) - 4:34
8. Frustration (Walter Seyffer) - 2:52
9. Hovercraft Queen (Michael Bundt, Walter Seyffer) - 3:40
10.Time Is Due (Walter Seyffer) - 5:40
11.The Way I'm Living (Walter Seyffer) - 5:41
12.Moment (Michael Bundt, Walter Seyffer) - 8:01 
Tracks 1-4 from "Nine Days' Wonder" LP 1971
Tracks 5-12 from "Only The Dancers" LP 1974

Nine Days' Wonder
1971
*Walter Seyffer - Vocals, Drums, Percussion, Effects
*John Earle - Vocals, Tenor, Soprano Saxophones, Flute, Guitar
*Rolf Henning - Guitar, Piano
*Karl Mutschlechner - Bass
*Martin Roscoe - Drums
With
*Martin Lil - Viola
1974
*Rolf Henning - Guitars
*Michael Bundt - Bass
*Siddartha Gautama - Drums
*Steve Robinson - Keyboards
*Walter Seyffer - Vocals
With
*David Jackson - Wind
*Steve Robinson - Keyboards

Monday, April 15, 2024

Rhubarb's Revenge - Confessions Of A Big Lanky Dope (1973 us, fine basement folk psych, Gear Fad release)



The band that could not decide on a name. Or a favorite beer. The 1973 long player created by founding members, Greg Shuss, Chris Breetveld, Rob Rothschild, Rich Larsen, Bil DiMartino and contributing quests Mike Rothkopf, Mick Parmenter and Shotzie the wonder hound, is today considered highly collectable. That is, in fact, an understatement. In fact Phone Calls have been received inquiring on the whereabouts of desired copies of "The Album-Rhubarb's Revenge or Confessions Of A Big Lanky Dope (Pink Grass Records LPS827). 

Released in fall of 1973, this record is an eclectic mixture of bizarre originals and classy covers of The Move, Kinks, Zombies and Byrds, all recorded at Chris Breetveld's home Pink Grass Studios in Kendall Park, New Jersey USA One hundred copies were pressed. Another hundred copies were rumored to have been chopped up, rolled up, and smoked by the members of the band. Recorded mainly on Sony 2 track reel to reel decks and bounced tracks between these machines to stack up (meaning: make even worse) the performances. This was a year before their beloved Teac 4 track came into being. Thereafter it was holy hell on music as we knew vit With an impreciseness never before allowed out of a house, a musical sensibility that can only be described as flaccid, and a complete ineptitude for playing even basic musical parts these friends would gather almost every evening, after Shuss and Rothschild finished their second shift jobs, at studio du Pink Grass Passing by Breetveld's parents watching the 11:00 news, dad Jim would invariably greet the lads with "Happy New Year, boys!" each1, as handfuls of beer were carried into the addition room at the far end of the house from the other bedrooms-allowing the boys to experiment and howl late into the night. 

Secluded back in Pink Grass, the tape deck would be fired up and the "c'mon lads, pick up something and let's make some noise!" could be heard faintly through the Kendal Park evening stiffness with only the rare, occasional interrupting knock on the door at 3AM and the "you've got to be fucking kidding!" speech from Mom or Dad Breetveld in ps So anyway, after months of recording all kinds of stuff, Mr. Breetveld St. announces that the family was going to INDIA for a five year stint related to his UNICEF position. (See Peter Ustinov or Danny Kaye bios). "Well, geee thought the group. how can we all have copies of at this marvelous shit we been recording since Chris is taking the tape deck and all the tapes with him? Hmmmm. Let's see how much it will cost to have 5 or10 copies pressed onto vinyl for all to enjoy." It turned out to cost the same to press 100 as it would for 10, So, What The Heck? Thusly, a classic, limited edition was born, although several songs had to be trimmed to fit the time limitations of LP Happily, mor most of these deleted pieces are back, included on this re-issue as bonus tracks. The first music biz person to turn down the band was a chap in Denmark St, London who was the publisher for Marc Bolan and T-Rex and other notable acts at the time. It was Chris' first stop on the way to India to spend a week in London, last week of August 1973. Following the lyrics of the Kink's song. "Denmark Street (terally), he first found Tottingham Court Row (just 'round the comer from old Soho..") and very excitedly shopped" the test pressing he brought with him. The next morning said chap handed the acetate back with sweat pouring down his face, simply saying "I don't think this is exactly what we're looking for Thank you very much and good luck. And then ran into the bathroom (the WC) In New Delhi, where the first actual band with Breetveld performed under the name "Porky Roadapple, the Indians were similarly perplexed with this new American music.

Back in the States, the Road Apples continued experimenting with new beers and ways to avoid both employment and the draft. Success abounded, except for Rich Larsen who teamed up with an exchange student (Saddam somebody) and joined the Navy Returning to the US of A eleven months later, the Breet re-teamed with Shuss, Rothschild and the "Italian Scallion Dino D. Martino for some 'serious' recording. The breathtaking Send Money resulted from the new recordings. This time it was all original compositions with only one or two covers. Lucky for the covers Copies of "The Album" continued their individual journeys around the world and back to this day. Record collectors began calling Breetveld and Shuss who were very busy with their latest scam, The Breetles, the over-the-fab-four power-pop sensation. Offers started coming in for original copies of "Rhubarb's Revenge from all over. Explaining that they were "scattered to the wind" or "doing time in Folsom" was not enough to satisfy the need for this jaw breaking record. Finally, a deal was made with Gear Fab to bring this twenty six year old regional classic back to life. 

Here, you have it and don't come crying because it didn't include the Big Lanky Dope beer can opener, popular in the seventies before pop-tops Other Road Apples classics include (besides the progressive rock out-there absurdity, "Send Money 1974), the pop & whack of "Pet Waint (1976), and Chris' rock opera/musical/ last ditch bid for attention, "The Panchilla Gorilla (1979) the story of two guys (Seed & Chillum) search for the perfect "high". That album was recorded on a Teac 4-track at home and in a "real" 8 track studio. Can You tell the difference? Go To: www.interactive.net/s/breetles.html to check out The Breetles and for more on Rhubarb's Revenge, Road Apples and all Pink Grass related stuff.
by Clark Dick, March 15, 1999
Tracks
1. Intro - Man To Man (Rich Larsen) - 3:05
2. Time Of The Season (Rod Argent) - 3:45
3. Victoria (Raymond Douglas Davies) - 3:37
4. Mr. Spaceman (Roger McGuinn) - 3:00
5. Words Of Aaron (Michael Rothkopf) - 6:05
6. Lonely (Jeff Lynne) - 1:07
7. Tomorrow Begins Today (Christopher Breetveld) - 4:55
8. When I Feed My Prize Hog (Christopher Breetveld, Gregory Shuss, Michael Carlos Parmenter) - 1:04
9. Nice Spot In The Dark (Christopher Breetveld) - 6:20
10.Avon Girl (Christopher Breetveld, Gregory Shuss) - 3:44
11.2000 Man (Keith Richards, Mick Jagger) - 2:56
12.Prize Hoggies #2 (Christopher Breetveld, Michael Carlos Parmenter) - 1:13
13.Ohio (Neil Young) - 3:14
14.Road Apple Jammies (Christopher Breetveld, Gregory Shuss, Michael Carlos Parmenter) - 1:11

Rhubarb's Revenge
*Christopher Breetveld - Guitars, Drums, Piano, Bass, Flute 
*Gregory Shuss - Piano, Vibes, Noises
*Robert Rothschild - Drums, Congas, Refrigerator
*Richard Larsen - 12 String Acoustic Guitar, Bass
*Michael Rothkopf - Acoustic Guitar
*William Dimartino (Dino) - Drums, Pasta
With 
*Michael Carlos Parmenter. Voice 
*Rene Roques - Acoustic Guitar, Violin 
*Halbert Horatio Ketofsky - Bass, Sax 
*Stephen Stein - Voice
*Christopher Zaic - Lead Guitar 
*Funky Eddie - Percussion

Sunday, April 14, 2024

Various Artists - Sometimes I Wonder (The Psychedelic Pop Sound Of President) (1967-71 uk, splendid beat psych, 2004 remaster)



Whilst it could never lay claim to being a front-runner of the British psychedelic movement, President Records was nonetheless quick to respond to changing musical tastes when it was launched into the heady midst of swinging London in 1966. In keeping with other independents at the time, President's autonomy allowed it to experiment freely with new artists and saw the label expand into areas which nowadays might be termed Psych Pop. And whilst it's true that President's major successes both at home and abroad were with artists like the Equals, Dorothy Squires and the Symbols, many of its more left-field releases are now beginning to enjoy the recognition which eluded them first time around.

Currently enjoying something of a revival on the collectors' circuit, UK Psych Pop has never been more popular. Eagerly awaited by fans of the genre, Sometimes I Wonder has been carefully compiled with collectors in mind and draws together the cream of President's Psych Pop recordings, most of which have never been released on CD up until now. Comprising both single cuts and rare album tracks Sometimes I Wonder takes the listener on a magical mystery tour through the President vaults, via its offshoots Jayboy and Gemini. Here then are 27 gems by the likes of the Explosion, Rhubarb Rhubarb, Chords Five, Pure Gold, Barbara Ruskin, the Exception, Rick Price & Mike Sheridan, all ranging in eccentricity from the melodic day-tripper pop of the Symbols' Again to the all-out psychotic reaction that is the She Trinity's Climb That Tree.

Expertly compiled by David Wells and bursting with rare memorabilia and photographs, Sometimes I Wonder is essential listening for all Psych Pop devotees.
Marmalade Skies
Artists - Title - Composer
1. Hat And Tie - Finding It Rough (Chris Thomas, Patrick Campbell-Lyons) - 2:50
2. Rhubarb Rhubarb - Rainmaker (Peter Smith, Phil Chilton) - 2:40
3. The Explosive - Cities Make The Country Colder (Tom Northcott) - 3:11
4. Chords Five - Some People (Graham Gouldman) - 2:12
5. The Exception - Don't Torture Your Mind (Roger Hill) - 2:46
6. The Symbols - Again (John Milton, Mick Clarke) - 1:57
7. The Explosive - (Who Planted Thorns In) Miss Alice's Garden (Tom Northcott) - 2:39
8. Sheridan And Rick Price - Lightning Never Strikes Twice (Mike Tyler, Rick Price) - 2:37
9. The Gass Company - Nightmare (Bill Hurd) - 2:54
10.The Cape Kennedy Construction Company - The First Step On The Moon (R. Kelton, Barbara Ruskin) - 4:40
11.Rhubarb Rhubarb - Moneylender (Peter Smith, Phil Chilton) - 2:40
12.The Symbols - (The Best Part Of) Breaking Up (Pete Andreoli, Phil Spector, Vini Poncia) - 2:48
13.The She Trinity - Climb That Tree (Al Hodge, Dick Bland, Richard Leigh, Roger Dell, Steve Cotton, Tony Priest) - 3:35
14.The Exception - Woman Of The Green Lantern (Alan James Eastwood) - 2:49
15.Sheridan And Rick Price - Sometimes I Wonder (Mike Tyler, Rick Price) - 2:41
16.Barbara Ruskin - Pawnbroker Pawnbroker (Barbara Ruskin) - 2:13
17.Pure Gold - Fairground (D. Reid, Kerry Minnear) - 2:34
18.Brian Poole And The Seychelles - Send Her To Me (Alan Dickinson, Chris Hayward, John Bosher, Phil Dillon) - 2:40
19.The Seychelles - Baker's Daughter (Alan Dickinson) - 3:02
20.Rick Price - Daisy Farm Park (Rick Price) - 2:30
21.The League - Hey Conductor (Sonny Flaharty) - 2:34 
22.Yellow Taxi - Anna Laura Lee (Barbara Ruskin, Len Praverman) - 2:25
23.The Exception - Jack Rabbit (Alan James Eastwood) - 1:55
24.The Explosive - Step Out Of Line (Russ Harness) - 3:05
25.Rick Price - Talking To The Flowers (Jacqueline Ertel, Terry Slater, Venetia Stevenson) - 2:22
26.Sheridan And Price - Lamp Lighter Man (Mike Tyler, Rick Price) - 2:56
27.The Cape Kennedy Construction Company - Armageddon (D. Baker) - 4:29


Friday, April 12, 2024

Sid Bradley - Child Of The Sea (1971-79 us, fantastic power pop guitar rock with paisley underground scent, 2021 release)



Lost and found studio recordings (1971-79) by US singer-songwriter Sid Bradley including some of the sought-after 45 sides released with his band Erik in the early '70s plus fabulous previously unreleased tracks. Pro-sounding sound, ranging from fuzzed-out psychedelic hard-rock to psych-pop and proto-power pop. 

A phenomenal and versatile songwriter (he has written hundreds of songs) Sid Bradley started to play in garage bands like The Cavaliers in the '60s and by the early '70s he was part of Erik, a group responsible for a couple of self-produced 45s, Child Of The Sea/Nothing Is Easy and Sometime In Your Life/Rebel Woman. These 45s were usually used for promo purposes and it was typical of Sid to load a few record boxes into his car and travel hundreds of miles, visiting all the radio stations, trying to pitch his music to the DJs. This one-man marketing operation actually worked fine, as Sid's music was played in radio stations across the eastern US, Canada, England, and even Germany. And some of his songs were reviewed in Billboard, Record World or Rolling Stone. 

You may be familiar with the hard-psych sounding "Child Of The Sea" as it has been included on several psych comps and it was also part of the Lodge 49 soundtrack. The flip, "Nothing Is Easy" wouldn't sound out of place on any Rubbles volume. "Rebel Woman" is now considered a proto-metal cult classic and it was recently included on the Brown Acid series. After the demise of Erik, Sid continued recording his songs using different musicians. 

Most of these tracks remained unreleased until a few years ago, when Sid, encouraged by the interest on his old Erik 45s, decided to remaster them and put them available on several digital only albums that caught the attention of mags like Shindig! Guerssen Records now present a selection of those tracks. Master tape sound and insert with liner notes by Sid Bradley and Paul Osborne (Shindig!); also includes download code."... a gifted singer-songwriter with a love for late '60s songcraft and the more muscular powerpop of '70s contemporaries like The Raspberries" 
by Paul Osborne 
Tracks
1. Child Of The Sea - 2:22
2. Rebel Woman - 2:57
3. Rows On Rows - 4:29
4. Grab All The Night - 3:14
5. Don't Go Away - 2:57
6. I'll Be Going - 2:30
7. Nothing Is Easy - 2:51 
8. To Be Your Friend - 2:36
9. Azure Blue - 2:56
10.Waiting For The Sun - 2:21
11.Meant For You - 3:33
12.Victory - 2:31
Words and Music by Sid Bradley

Personnel
*Sid Bradley - Vocals
*Mike Frakes - Drums
*Kelly Fowler - Guitar
*Chris Reese - Bass
*Rick Howard - Bass
*Jeff Wahler - Bass
*Don Lockridge - Guitar 
*Kenny Hayden - Drums 

Thursday, April 11, 2024

West Bruce And Laing - Why Dontcha (1972 canada / uk / us, power trio, hard bluesy classic rock, 2012 remaster)



Bassically, this is Mountain with layers of Cream in between. When Mountain crumbled, Jack Bruce replaced his former Cream associate Felix Pappalardi in the middle of Leslie West and Corky Laing. West, of course, was one of rock’s best guitarslingers and a solid blues vocalist to boot, but a strange sight to behold. The best that can be said of Laing is that he’s a better singer than Ginger Baker and a better drummer than Peter Criss. Add to that one eccentric English heroin addict, and you’d think that Why Dontcha would be ripe for disaster. Instead, the album continued Mountain’s winnings ways, entering the US Top 40 and generating enough interest for a followup and a live album.

Now, my interest in the trio really begins and ends with Bruce. West clearly has a boatload of talent, but the only song of his that connects with me on a deep level is “Love Is Worth The Blues.” The songs from Jack Bruce, on the other hand, are never less than interesting. I thought Harmony Row was brilliant if a bit strange, and the same genius is evident on “Out Into The Fields” and “Pollution Woman.” Bruce’s bass playing continues to be completely over the top–a holdover from the days of wine and Cream. He comes off the hinges at the end of “Third Degree,” and you don’t know whether to be amazed or appalled.

Honestly, without the Pappalardi connection, Bruce probably wouldn’t have set foot on this mountain. But he did, and gained a great guitarist in the bargain. Or, from another perspective, Mountain gained an erratic but entertaining star to pin on their power trio pedigree. Either way you look at it, West, Bruce & Laing is too interesting a combination to ignore. The end result is sort of CCR meets Cream without an obvious hit in sight, but with enough energy to make up for it.
by Dave Connolly, September 7, 2018
Tracks
1. Why Dontcha - 3:04
2. Out Into The Fields (Pete Brown, Leslie West, Jack Bruce, Corky Laing) - 4:41
3. The Doctor (Leslie West, Jack Bruce, Corky Laing, Sue Palmer) - 4:29
4. Turn Me Over - 2:45
5. Third Degree (Eddie Boyd) - 5:16
6. Shake Ma Thing (Rollin Jack) - 3:14
7. While You Sleep - 3:24
8. Pleasure (Pete Brown, Leslie West, Jack Bruce, Corky Laing) - 4:02
9. Love Is Worth The Blues - 4:12
10.Pollution Woman (Pete Brown, Leslie West, Jack Bruce, Corky Laing) - 4:28
All titles by Leslie West, Jack Bruce, Corky Laing except where stated

Personnel
*Leslie West - Guitar, Vocals (Tracks 1, 3, 6, 7, 9), Dobro (Track 7), Violin Guitar (Tracks 7, 9), Acoustic Guitar (Track 10)
*Jack Bruce - Bass, Vocals (Tracks 2, 5, 6, 8, 10), Piano (Tracks 2, 5, 6, 7, 8), Harmonium (Track 2), Organ (Track 2), Harp (Track 4), Acoustical Bass (Tracks 4, 7), Backing Vocals (Track 6), Choir (Track 7), ARP Synthesizer (Track 10), Acoustic Guitar (Track 10)
*Corky Laing - Drums, Vocals (Track 4), Rhythm Guitar (Track 7)

1971  Jack Bruce - Harmony Row (Bonus tracks edition)

Dr. John, The Night Tripper - Remedies (1970 us, awesome dixie jazz voodoo psych, 2017 remaster)



Managerial problems – Dr John has had a few. One adviser encouraged him to spend time in a mental hospital to get out of a drug conviction – the part-finished Remedies comes from this insane period. Contains the 17-minute prison reform polemic, “Angola Anthem”.

“My managers put me in a psych ward. These guys were very bad people – I had gotten busted on a deal, and they got me bonded out of jail, and so when they did I could have got a parole violation. All of this stuff was so unconnected to music that it’s hard to relate it. A friend of mine had just come out of doing 40-something years in Angola [the infamous Louisiana State Penitentiary], he was just someone special in my heart – called Tangleye. And Tangleye says, ‘I’m gonna sell you this song. Got it in Angola, but ain’t nobody ever cut this song…’ Even now guys I know getting out of Angola know this song. It’s still a horrible place to be. They feed people every 10 days or whatever.

“And that’s why I cut this song: I got a friend doing 300 years in one of these satellite penitentiaries, he got high blood pressure, cirrhosis of the liver, he don’t get no medication. People have no idea what it’s like in a cell when it’s just you, and they feed you whenever they feel like it. One of these guys told me, ‘You can taste the food before you eat it.’ And they stretch it too with the rats and whatever other critters these guys have as pets.”
by Tom Pinnock, 15th June 2012
Tracks
1. Loop Garoo - 4:42
2. What Comes Around (Goes Around) - 2:58
3. Wash, Mama, Wash - 3:43
4. Chippy, Chippy - 3:34
5. Mardi Gras Day - 8:17
6. Angola Anthem - 17:37
All songs by Mac Rebennack

Personnel
*Dr. John "Mac Rebennack" - Vocals, Piano, Guitar
*Cold Grits - Guitars, Bass, Drums
*Jessie Hill - Backing Vocals, Percussion
*Shirley Goodman - Backing Vocals
*Tami Lynn - Backing Vocals 

Related Acts

Wednesday, April 10, 2024

Ronnie Hawkins - The Hawk (1971 us, remarkable roots 'n' roll country folk blues rock feat Duane Allman, 2011 edition)



For 1971's "The Hawk", Hawkins travelled to Florida to Atlantic’s South Criteria Studios in Miami, Florida for sessions with the Dixie Flyers.  He retained Allman’s services as well as those of Donald “Duck” Dunn (bass), Charlie Freeman (guitar), Jim Dickinson (piano/guitar), Mike Utley (organ), Sammy Creason (drums) and the Memphis Horns under Tom Dowd’s watchful eye.  

Despite the change in locale, the same spirit pervades this album, which is similarly filled with pure rock-and-roll rave-ups and well-selected covers by writers like Tim Hardin (“The Lady Came From Baltimore,” “Black Sheep Boy”), Roy Orbison (“Ooby Dooby”), Charlie Rich (“Lonely Weekends”) and even Paul Simon (“Leaves That Are Green”).
by Joe Marchese, August 17, 2011

Ronnie Hawkins, Arkansas native and Canadian transplant died May 29th, 2022, after a long illness. 
Tracks
1. Don't Tell Me Your Troubles (Don Gibson) - 2:14
2. Sick And Tired (Chris Kenner, Dave Bartholomew) - 2:47
3. Lonely Weekends (Charlie Rich) - 2:24
4. Drinkin' Wine Spo-Dee-O-Dee (Granville "Stick" McGhee) - 3:10
5. Red Rooster (Willie Dixon) - 2:31
6. Ooby Dooby (Dick Penner, Wayde Moore) - 2:08
7. The Lady Came From Baltimore (Tim Hardin) - 2:38
8. Leaves That Are Green (Paul Simon) - 2:05
9. Patricia (Ronnie Hawkins) - 3:06
10.Odessa (Jacqueline Magill, Ronnie Hawkins) - 3:20
11.Treasure Of Love (Joe Shapiro, Lou Stillman) - 2:28
12.Black Sheep Boy (Tim Hardin) - 3:03

Personnel
*Ronnie Hawkins - Vocals
The Dixie Flyers
*Jim Dickinson - Piano, Acoustic Guitar
*Mike Utley - Organ
*Charlie Freeman - Electric, Acoustic Guitars
*Sammy Creason - Drums
With
*Duane Allman - Electric Guitar (Tracks 2-6, 12), Dobro (Tracks 1,9,10)
*Donald "Duck" Dunn - Bass
*THe Memphis Horns - Horns (Tracks 2,5)

Sunday, April 7, 2024

Group 1850 - Mother No Head Their 45s (1966-71 holland, stunning garage psych, 2012 remaster)



Though they were a product of the beat group age, Group 1850 were the Netherlands’ first progressive band — in every sense of that word. Constantly changing, constantly evolving, Group 1850 were musical extremists on a do-or-die mission to explode all expectations. Sparks flew, ideas flared, feedback swirled through misty nights, the dead walked, skeletons danced, flies buzzed, mountains fell, words rained fire from angry purple skies. Group 1850 raised all kinds of Hell. My god, were they good.

Although the group made two deservedly revered albums, Agemo’s Trip to Mother Earth (1968) and Paradise Now (1969), some of their best work can be found on their singles, where their borderline insane hyper-creativity was focused into highly-concentrated, radically potent three-minute songs like Misty Night, Mother No-Head, Zero, We Love Live (Like We Love You), Don’t Let It Be (We Have to Do It Now), and the magnificent Have You Ever Heard. 

The A- and B-sides of all their singles can be found on this 2-LP set in their original mono mixes, mastered from the original tapes. A number of previously unreleased demos are also included. Pressed on 180gm vinyl, Mother No-Head: Their 45s comes packaged in a breathtaking gatefold cover with rare archival photos and liner notes by Ugly Things’ 
by Mike Stax 
Tracks
1. Misty Night - 3:29
2. Look Around - 2:34
3. I Want More (Finger Tips) (Peter Sjardin) - 2:03
4. I Know (La Pensée) - 3:11
5. Mother No-Head - 3:25
6. Ever Ever Green - 3:17
7. Zero - 3:28
8. Frozen Mind - 3:29
9. We Love Live (Like We Love You) - 4:28
10.Little Fly - 4:17
11.Don’t Let It Be (We Have To Do It Now) (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:13
12.Sun Is Coming (So We’re Calling You) (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:00
13.Fire - 2:30
14.Have You Ever Heard (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:34
15.Mother No-Head (Hans van Hemert, Peter Sjardin) - 3:29
16.Mother No-Head - 3:36
17.1.000 Years Before (Dave Duba, Peter Sjardin) - 2:37
18.Dream Of The Future (Dave Duba, Peter Sjardin) - 2:33
19.Sun Is Coming (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:06
20.Don’t Let It Be (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:08
21.Falling Mountains (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 3:34
22.Liar (Daniel Van Bergen, Dave Duba, Peter Sjardin) - 2:31
23.Dream Of The Future (Dave Duba, Peter Sjardin) - 2:51
24.1.000 Years Before (Dave Duba, Peter Sjardin) - 2:39
Songs written by Daniel Van Bergen, Peter Sjardin except where indicated

Group 1850 
(1966-1969)
*Peter Sjardin - Vocals, Organ, Flute
*Dien Van Bergen - Guitar, Piano (Tracks 1-10, 15-16) 
*Ruud Van Buuren - Bass (Tracks 5-10, 15-16) 
*Rob De Rijke - Bass, Flute (Tracks 1 - 4) 
*Beer Klaasse - Drums (Tracks 1-10, 15-16)
With
*Hans Van Hemert - Vocals (Track 5)

(1969-1971)
*Peter Sjardin - Vocals, Organ, Flute 
*Dien Van Bergen - Guitar (Tracks 11-14, 17 - 24) 
*Dave Duba - Guitar (Tracks 11 - 14, 17 - 24)
*Dolf Geldof - Bass (Tracks 11-14, 17-24)
*Martin Van Duynhoven - Drums (Tracks 11 - 14, 17 - 24)


Saturday, April 6, 2024

Various Artists - Incredible Sound Show Stories Volume 16 Second Glance Through the Looking Glass (1967-70 uk, superb mod freakbeat psych rock)


From Mod-Psych to Freak-beat, from Psychedelic Pop to early Glam. In 1969, Wolverhampton’s Revolver released pop hit that never was – ‘Imaginations’, an extremely catchy melody with lysergic undertones.

Brian James’ first outputs were with Taiconderoga, who are also here. Taiconderoga’s ‘Whichi’ fits in perfectly. Majority One probably the most known name here, all artsist are from Britain, except the Swedish Peter Holm (who married Joan Collins for couple of years in the mid 80’s). 

To conclude, this compilation is a great snapshot of the times. With some truly exciting gems, recommended  for music fans seeking out more long lost gems.

Artist - Title - Composer 
1. Taiconderoga - Speakin' My Mind (Dave Blackman) - 4:14
2. Matchbox - Run Much Faster (Ian Stephenson) - 3:18
3. Boots - You Better Run  (Dave Bown, Don Wright, John Wilson, Terry Bown) - 2:23
4. Empty Vessels - Low Toby (James Parsons, Karl Jenkins) - 2:17
5. Revolver - Imaginations (Bob Spiteri, Ray Spiteri) - 3:19
6. Peter Holm - You Will Be Mine (Peter Holm) - 2:10
7. Adam And Dee - Question Of Childhood (Alan Hawkshaw) - 3:56
8. John Deen And The Trakk - Kavind (John Deen) - 3:44
9. Tapestry - Who Wants Happiness (David Moses) - 2:28
10.Boots - A To D (Dave Bown, Don Wright, John Wilson, Terry Bown) - 4:11
11.Black Velvet - Clown (Brian Clarke, Peter Nelson) - 2:51
12.John Deen And The Trakk Man (John Deen) - 3:27
13.Majority One - Friday Man (Peter Mizen, Robert Long) - 3:01
14.Christopher - The Race (Christopher Neil) - 2:21
15.Snappers - Smiley's Tram (Steve Douglas "MacIntyre", Geoff Rich, Roger Montgomery) - 3:33
16.Taiconderoga - Whitchi Tai To (Tom Pepper) - 3:10


Friday, April 5, 2024

Spiral Starecase - More Today Than Yesterday (1968-69 us, beautiful sunny blue eyed soul, with nice vocals and horns parts, 2003 remaster)



With the unmistakable high-pitched vocals of Pat Upton soaring out of the speakers, "More Today Than Yesterday" by the Spiral Starecase scored with the public in a big way to become a true AM radio pop standard. Pat Upton, who wrote "More", chronicles the history of the group and all quotes are from him.

Pat Upton was born in Alabama in 1940. "I have sang all my life and grew up singing gospel music. I was introduced to the electric guitar when I was about 19. Duane Eddy and the Ventures were my favorites when I started playing. Shortly thereafter, I joined the Air Force and really learned to play guitar there. I spent four years in the service and was based in Sacramento, from 1962-66. My first band was a four piece instrumental group we put together for the Air Force talent contest. The group was called the Fydallions and that is where I started singing lead. After I got out of the service, we went on the road. We would play the Las Vegas circuit; five hour lounge jobs."

Along with Upton on vocals and guitar, the group that eventually became the Spiral Starecase consisted of Harvey Kaplan (keyboards), Vinny Parello (drums), Dick Lopes (sax) and Bobby Raymond (bass). Harvey, Vinny and Bobby joined in 1966. Harvey came from New York City. Vinny came from Utah. Dick Lopes was a founding member of the Fydallions and asked me to join. It was while working Vegas that I wrote 'More'.

"We played around Los Angeles a few times as the Fedalions. Our first recording contract was with Crusader Records, a small one man label operated by Fred Darian who had recently had a hit with 'The In Crowd' by Dobie Gray. We cut some stuff that Darian produced but it was never released. Later, we did a demo for Columbia, but again nothing happened. Back in those days you could make a tape on a reel to reel or you could ask to go into studio for a few hours and if the label thought you had anything they would work with you."

"We started working at a club in El Monte, California. It was there we met our manager, Michael Griesman. Columbia producer and A&R man Gary Usher [Beach Boys, Byrds] came to the club in El Monte and liked what he heard. He signed us to Columbia in 1967. Columbia told us they did not like our hair, dress or name, so we changed. Dick Lopes saw an old movie called 'The Spiral Starecase' and we used that name and revised the spelling a bit. Our first record 'Baby What I Mean'/'Makin' My Mind Up' was produced and arranged by Gary Usher." Both songs were not written by the band. Although 'Makin My Mind Up' is the catchiest pop song of the two, Columbia pushed 'Baby What I Mean' as the 'a' side, but nothing happened. "Usher left Columbia about that time and Sonny Knight replaced him as the producer. The last time I saw Gary was in Vegas and I had just written 'More'. I played it for him and it only had two verses. He said it needed another verse, so I wrote another."

After the initial record failed, "Columbia said it was having trouble getting material and suggested that someone in the band write. 'More' was the first song I wrote. Originally I wrote it with Bobby Goldsboro in mind. Columbia said just write songs." The Spiral Starecase recorded the song, produced by Sonny Knight and arranged by Al Capps. Upon release, it was a smash hit, reaching #12 on Billboard in 1969. "A DJ in Souix Falls, South Dakota broke the record. Sonny Knight had also been in radio and he helped promote the record."

To promote the record, the group toured and did TV. "Our first concert was with Three Dog Night. We also played with Sly and the Family Stone, the Beach Boys and Creedence. Clearwater Revival. We did our three songs and got off. We did American Bandstand a few times. In fact, the other consideration for the single was a song I wrote with Keith Colley called 'Broken Hearted Man', which was the flip side of 'More'. Columbia did not know which to release first so they put both on same 45 to see which one flew. After we played Bandstand, Dick Clark listened to the album and said 'Broken' was the second single." Although 'Broken' was never a single, it was covered by covered by numerous other artists in the late 1960s.

"We did not do an album until after 'More' took off. The album ['More Today Than Yesterday'] used session players except for the vocals and Harvey played some organ and Dick some sax." The second single from the album was a song called "No On For Me To Turn To", which was a sizable chart hit (BB #52 '69). "That song became the theme for a kid's TV show for abut 6 months to a year." The last Spiral Starecase single, "She's Ready", kept the name alive by also reaching the charts (BB #72, '70). Sadly, Columbia did not focus on the incredibly hit worthy Upton original on the flip side - "Judas To The Love We Knew" - which equals or surpasses 'More' in hooks and vocal performance.

"The band broke up in 1971. I was not getting paid by the record company or the publisher and we had problems with management, so I left the band. About 1971, I did one more recording for Columbia with Jerry Fuller [Gary Puckett producer] as Pat Upton which was released, but never did anything. Later, I Worked for awhile with Kaplan in East Los Angeles as the Spiral Staircase with a band that included Jay Graydon on guitar and Greg Mathieson [both later became big name session players]. I also played around Palm Springs for awhile with a band." The Palm Springs gig became a turning point for Upton.

"While Working in Palm Springs I met Greg McDonald and was introduced to Elvis' manager Colonel Parker. Greg was a gopher for the Colonel trying to learn the business. At that time singer Rick Nelson wanted the Colonel to manage him. The Colonel did not want to for whatever reason. The Colonel introduced Greg to Rick and Greg became Rick's manager. I met Rick at a club on Sunset. Rick asked me to sing back-up on an album he was recording for Capitol [Playing to Win]. Jack Nitzche produced the album. The album came out in January 1981. Rick asked me to tour to promote and I wound up playing for three and one- half to four years. Rick was a nice guy. I played rhythm guitar and sang background. That was the last thing I did. In 1983 I moved back to Alabama and started P.J.'s Alley nightclub." This is the club Rick Nelson played right before he died in the plane crash. Upton still does an occasional oldie's tour.

Besides Upton, the only member that really continued on with music was Harvey Kaplan. "He still works with a band as the Spiral Staircase, playing lounges." Interestingly, Kaplan's daughter, Brenda, recording as Brenda K. Starr, had a huge hit in 1988 with the song "I Still Believe" (BB #13, 1988), which resurfaced in the top 10 just this year when superstar Mariah Carey remade the tune.

Happily, Upton makes "more [money] today than yesterday" from the song. As a final word of advice, Upton expounds: "learn everything you can about the business and your instrument."
by Ben McLane, 1998

Pat Upton died in his hometown of Geraldine, Alabama on July 27, 2016, at age 75.
Tracks
1.Makin' My Mind Up (Jack Dalton, Gary Montgomery) - 2:52 
2.Baby What I Mean (Frank Hamilton, Ernie Sheldon) - 2:25
3.Inside, Outside, Upside Down (Walt Meskell, Mike Post) - 2:35
4.I'll Run (Billy Page) - 2:11
5.Love's The Only Answer (Bernie Hoffer, Stanley Jay Gelber) - 2:44
6.More Today Than Yesterday (Pat Upton) - 3:12
7.Broken-Hearted Man (Pat Upton) - 3:06
8.Good Morning New Day (Arlene King, Ellen Starr) - 2:12
9.The Thought Of Loving You (David White) - 3:02
10.Proud Mary (John Cameron Fogerty) -  2:41
11.Our Day Will Come (Mort Garson, Bob Hilliard) - 2:41 
12.For Once In My Life (Ronald Miller, Orlando Murden) - 3:01
13.This Guy's In Love With You (Hal David, Burt Bacharach) - 3:31 
14.Since I Don't Have You (Joe Rock, Lennie Martin, Jimmy Beaumont, Janet Vogel, Joseph Verscharen, Walter Lester, John H. "Jackie" Taylor) - 2:40
15.No One For Me To Turn To (Pat Upton) - 2:35
16.Sweet Little Thing (Pat Upton) - 2:29
17.Judas To The Love We Knew (Pat Upton) - 2:32
18.Get Ready (William Robinson) - 3:37
19.I'll Always Love You (William Stevenson, Ivy Jo Hunter) - 2:43
20.She's Ready (Billy Sherrill, Glenn Sutton) - 2:43
21.Walk On By (Burt Bacharach, Hal David) - 3:05
22.My Cherie Amour (Henry Cosby, Sylvia Moy, Stevie Wonder) - 3:05
23.Raindrops Keep Falling On My Head (Burt Bacharach, Hal David) - 3:05
24.Hold The Sun Back (Pat Upton) - 2:50
25.A Lifetime Of Love (Pat Upton) - 3:09

The Spiral Starecase
*Pat Upton - Guitar, Lead Vocals
*Bobby Raymond - Bass
*Vincent Parello - Drums
*Harvey Kaye - Organ
*Dick Lopes - Saxophone, Percussion